Make Your Bed and Lie in it

Because the light had changed so dramatically during the course of the painting I was forced to take a different tact. Because I had painted here so often in the past; I felt like the light would come back later as the fog burned off later in the afternoon.  Instead of changing the light in the painting I worked on developing what I had already put down.  Because I have a tendency to not develop the masses fully and jump to the highlights too quickly, this forced me to work from memory until the fog lifted.  When it did I was ready to capture the moment and finish the painting.