This painting was handled differently than many of my other plein air paintings. I started with an a toned board like most of my paintings. I then developed a full under painting in a complimentary color. The red under painting was the opposite color of what I intended the finished painting to be. I handled the pastel through the under painting in a very light manner so that I could add layers of local color at the end. I moved gradually towards the local color slowly adding layers of color that approached what I wanted. The local colors bring the composition into balance. This painting is my version of a pointillist painting. Although this painting is not composed with small dots of color, the prismatic colors laid down in many individual strokes are intended to produce that same visual feeling. |
No comments:
Post a Comment